The graphic cue comes from the city skyline, from buildings and skyscrapers, slender parallelepipeds soaring upwards that are transformed into variable inflections of parallel lines.

It ideally starts from one of the classic fabrics taken from men’s wardrobes, pinstripes, to reach infinite representations of vertical lines. The study of stripes, baguettes, lines and stitches is connected to the re-interpretation of fabrics taken from Italian historical archives.

From here, we reach an original and sophisticated processing using digital graphics. A complex and refined synthesis of new patterns is thus obtained.